I said goodbye to Beatrice and Gabriel a little over an hour ago. It's spring break this week, and they're off to spend a few days with their grandparents while Frances is in Spain with my mom. My in-laws graciously offered to host them, knowing I was having a hard time figuring out child care, and I figured the kids would be happy to go. I think they were inititally, but Beatrice sobbed for the half hour leading up to their departure, clinging to me and repeating "I'm not going, I'm not leaving you" over and over, her growing-out bangs freed from their bobby pins and skirting her runny nose, her big adult tooth just visible, pushing insistently through her top gums and advertising to anyone who glances in her direction that this little girl is growing up, quick.
I haven't had to disentangle myself from a weeping child who can't bear to be separated in a long time. It's misery. Especially the part where I have to stay calm and reassuring and proceed with the parting as if everything is okay, when inside I want to cry too, and my mind is quickly running through improbable scenarios that make no sense at all: could she watch movies all day long and not make a sound in a nearby office while I see clients? Could I call everyone I know, pleading for a babysitter? Could I take off the rest of the week?
I knew none of those options made much sense, and I knew that my in-laws are more resilient and peaceful than I am in the face of these situations and that eventually everyone would settle in and have a fine time. So in the end I smiled and waved them off in the yellow evening light.
Then everything was quiet, and still, and I felt wretched. What now? I found some scissors and cut down Beatrice's shriveled birthday balloons that had been hanging from a string tied around the porch railing for almost a month. I pulled in the recycling bin from the curb. I stood on my porch, empty.
When Mike died, I comforted myself with reminders that we had had the chance to say everything that needed to be said. There wasn't anything important that didn't get articulated; I felt we were together, transparent, united. I told him he was the very best husband for me, and he knew it was true. He said you know how much I love you just before he died, and I did. I do. But now it turns out there are so many things that are important to say to him, and to hear from him, and I can't. Was it the right thing to send them to your parents this week? What should I do about Beatrice being so quick to hit when she's mad? And how should I handle this phone business with Frances? Is it okay that I let Gabriel run the neighborhood til the evening, and sometimes he's late coming home, and I don't make a big deal out of it?
And the sweetest thing happened this morning, snuggling with Bea. And I feel overwhelmed at work sometimes and I'm not sure how to get on top of all the documentation. And what do you think I should do this summer to ensure time for myself, for writing, for remembering who I am?
And also, Mike, who am I, exactly? Would you remind me?
This year has been an exercise in tolerating disorientation, in mucking haphazard trails through mud. March's gray days and raw weather exacerbate it all. My dad died in March. Mike died in March. Mike's Aunt Joan, his godmother, died nearly two weeks ago; I went to her funeral last week and sat alone in the pew, missing Mike's arm grazing mine. I was able to visit her in the hospital the day before she died, for which I am so very grateful. But it's one more tether snapped; one more precious person I can no longer see and no longer be seen by. What roots me to this singular life? It's bewildering.
I had no idea how completely I had lived as part of a unit until Mike died. I thought I was so independent! But there wasn't anything that I didn't take him into consideration before pursuing, or rejecting, or working around. The rhythms of his speech, the turn of his thinking, his particular style, the things that made him uncomfortable, his outrageously good sense of humor. These reached out towards me and met my own thinking halfway, so that I was never in free fall - for better or worse - but always rather in conversation, even when nothing was said aloud or explicitly discussed. We didn't always agree - in fact, in more recent years, we disagreed more than ever - but it isn't about a unilateral vision. It's about a kind of receptivity and awareness that is so intimate as to be part of one's own internal landscape.
And now? Now I have lost the cadence we used to share. Literally. I know I have. A friend used to always comment on it - a little funny way we both had of speaking. Without my partner to reinforce the rhythm it no longer fills my mouth.
I find myself looking back to the time before I met Mike. Who was I then? There is a lot I don't like about me at nineteen. I could be so fearful, so tentative. I yearned for authenticity of relationship, ideas, expression, but I didn't trust myself to act on those ambitions, or be able to fulfill them. I danced, uncertain of my right to claim space in class and onstage. I was beginning to practice yoga. I missed my dad terribly; it marked me. Sometimes I wrote a good paper. I loved reading always, and found myself most easily in stories. I liked being a religion major. My friends and my family were the most important thing; I delighted in cooking for them, feeding them. I wasn't good at being honest when there was even a whiff of conflict involved. I was already pulling away from my Unitarian Universalist identity, though always (and still) grateful for the nurturing community it afforded me. In those days I yearned for the lush green forest of my UU camp in North Carolina all year long.
So it's interesting that I've been taking ballet class and taking the children to see dance performances. And hoping to claim time for writing this summer. Dreaming of Gabriel's birthday cake. Planning a trip to North Carolina. I do love those things, still. I encounter them now in a way that is different than I would were Mike still alive. That's uncomfortable, necessarily touched by ambivalence, but one continues reaching for things that are good and true anyway.
And it's not like it's all misery in this mud; I had a great time on the big slide at the park with Beatrice before dinner tonight, we saw friends in New York over the weekend, I love my work and laugh with my colleagues over lunch. There's room for joy. Plenty of joy! But also, one year later, it seems worth pointing out that time heals nothing. The wounds just keep gaping. I think tending to them, and living with the strangeness and discomfort the pain of them brings, is the best we can do. The tending might eventually - one hopes - have a healing effect. With sustained tender attention, the wounds might not gape quite so raw and wide, such that every passing snag won't rip them open all over again.
So when will I write about something else? Honestly, I don't know. Feeling and voicing these feelings seems like what I have to do right now, even though it's a discouragingly self-centered enterprise and often I'd just rather not.
My oldest child is in Europe, my other children just drove away, and instead of the thrill I had anticipated - time alone to do with as I like! - I feel a quiet terror. Without them, the disorientation threatens to overwhelm. I realize how much I need them to remind me of the part of me that has been consistent and present and unfailing since the day Frances was born nearly fourteen years ago. Even without Mike, even in the grip of grief, I will always be their mother. Thank goodness.
Beyond that? It's all gaping wounds and brilliant evening light, loneliness and gratitude, gray days and stubborn daffodils. March mud, as far as the eye can see.
Tuesday, March 26, 2019
Saturday, March 2, 2019
day 355
When you are grieving someone to whom you have given your whole heart, just about any old stupid pop song has the potential to bring you to your knees. It doesn't even have to be any good. You don't even have to like it. A truly excellent song can do much worse though, breaking your heart in two all over again, though the pain of it may only last for the duration of the song.
The children are all out with friends. I put on Shovels and Rope as loud as my little speaker could sing and set about tackling some of the least palatable Saturday afternoon kitchen chores imaginable: scraping the cooked-on layer of powdered sugar that flew in wild billowing clouds from the stand mixer when I was making the frosting for Bea's birthday cake yesterday off the stovetop, cleaning the layer of sticky honey off the shelf where it spilled (along with the bottoms of all the objects on said shelf).
It fucking sucks to be the only responsible adult in this house.
Anyway. Once upon a time I heard Shovels and Rope (which is, incidentally, a marvelous band) performing on the NPR show that used to be Prairie Home Companion but is now called something else, something forgettable, hosted by a sometimes annoying but mostly just fine impressively musical much younger man than Garrison Keilor, and they sang this song that took my breath away. The new host reacted the way I felt afterwards and I liked him a little better. And I tried to remember it later to tell Mike about it, because I wanted him to hear it too, because we both love this band, and he was sick, and it would comfort and sadden him as it did me, and he would know just how I felt listening to it. Of course later I couldn't remember any of the lyrics to figure out the name of the song and was quickly distracted and that was that. As far as I know he never did hear it.
I listened to it again this afternoon on the kitchen floor. St. Anne's Parade.
And I'm up too damn early in the morning
Watching the world around me come alive
And I need more fingers to count the ones I love
This life might be too good to survive.
...
We've been riding down this highway now for all these years
Breathing in the dust along the way
But it's the kindness of a friend is what's remembered in the end
It's a debt that is a pleasure to repay
And it never feels like we're getting any older
But the memories build up around the eyes
And I need more fingers than I've got on my two hands
This life may be too good to survive.
I miss hearing a song sung from the perspective of a we and having the other part of my we be alive. Widowhood is as lonely as fuck.
It's March. Ten days and counting. Life keeps happening. The snow arrives, the bits on the sidewalks freeze and melt and freeze again, various children are ill, my clients are strange and wonderful, I make dinner, I cry with a friend, I laugh with a friend, I swear more than usual, I lie awake at night all over again. What will happen when the sun rises the day after March 12th, 2019? What will the world look like when Mike has been dead for one year and a day? Probably a lot like it does on this slushy gray afternoon: big and beautiful and empty.
We will have survived a year of firsts without him; a year of seconds will be lying in wait.
The children are all out with friends. I put on Shovels and Rope as loud as my little speaker could sing and set about tackling some of the least palatable Saturday afternoon kitchen chores imaginable: scraping the cooked-on layer of powdered sugar that flew in wild billowing clouds from the stand mixer when I was making the frosting for Bea's birthday cake yesterday off the stovetop, cleaning the layer of sticky honey off the shelf where it spilled (along with the bottoms of all the objects on said shelf).
It fucking sucks to be the only responsible adult in this house.
Anyway. Once upon a time I heard Shovels and Rope (which is, incidentally, a marvelous band) performing on the NPR show that used to be Prairie Home Companion but is now called something else, something forgettable, hosted by a sometimes annoying but mostly just fine impressively musical much younger man than Garrison Keilor, and they sang this song that took my breath away. The new host reacted the way I felt afterwards and I liked him a little better. And I tried to remember it later to tell Mike about it, because I wanted him to hear it too, because we both love this band, and he was sick, and it would comfort and sadden him as it did me, and he would know just how I felt listening to it. Of course later I couldn't remember any of the lyrics to figure out the name of the song and was quickly distracted and that was that. As far as I know he never did hear it.
I listened to it again this afternoon on the kitchen floor. St. Anne's Parade.
And I'm up too damn early in the morning
Watching the world around me come alive
And I need more fingers to count the ones I love
This life might be too good to survive.
...
We've been riding down this highway now for all these years
Breathing in the dust along the way
But it's the kindness of a friend is what's remembered in the end
It's a debt that is a pleasure to repay
And it never feels like we're getting any older
But the memories build up around the eyes
And I need more fingers than I've got on my two hands
This life may be too good to survive.
I miss hearing a song sung from the perspective of a we and having the other part of my we be alive. Widowhood is as lonely as fuck.
It's March. Ten days and counting. Life keeps happening. The snow arrives, the bits on the sidewalks freeze and melt and freeze again, various children are ill, my clients are strange and wonderful, I make dinner, I cry with a friend, I laugh with a friend, I swear more than usual, I lie awake at night all over again. What will happen when the sun rises the day after March 12th, 2019? What will the world look like when Mike has been dead for one year and a day? Probably a lot like it does on this slushy gray afternoon: big and beautiful and empty.
We will have survived a year of firsts without him; a year of seconds will be lying in wait.
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