A few nights ago I dreamt I was writing a song. In the morning I told Frances about it. She listened with an open, smiling expression, and when I was done asked, well, want to write a song with me?
Hmmm. Yes! I mean, I think so. Can I do that?
Her invitation was delivered with simplicity and an implicit faith that writing a song was something we could definitely do, no big deal, like taking a walk or making a phone call. Like making breakfast. She happens to write amazing songs so speaks with some authority about the apparent mundanity of all this. So the next morning when I woke up way too early, even though I don't know how to write a song, I tried out some lyrics at the kitchen table.
She found them later - you wrote a song! - and then asked if she could try setting it to music. Which she did, I kid you not, in about eight minutes. We sat down at the piano and identified the parts that sounded way too sentimental, the lines with too many syllables, figured out what was missing and what could use more rhyme. The back of my throat gathered tears throughout this easy collaboration with my musical daughter. I kept telling her how she was blowing me away. She kept laughing and telling me it was just basic music theory, nothing special.
Are you kidding me? I don't think so. She is a songwriting goddess. The way she can arrange chords and make simple words fill up with emotion and meaning they didn't have moments before, when they were sitting flat and pencilled on the page, strikes me as magical.
We went through a few versions and finished it yesterday. We sang it together for my mom, Beatrice, Diana and Teb last night after dinner; I could barely hold off the tears. It's a song about turning forty-four next week, which is the same age as my dad. It's about having to grow up without him, and not wanting to leave the space his years made, and I sang it with my daughter who will someday turn forty-two and contend with being the same age as her dad.
Later, Diana emailed me the poem she had recently written after her uncle died, about the experience of going to the site where his plane had crashed with family. It took me breath away. Reading it, I felt something of what it was like to be there, the quiet and light, the absence and presence.
And then this morning I received a letter from my friend Christine, inside of which was folded a poem she wrote that will be published next month. The poem is about learning that Mike died while she was at the beach. After dropping Beatrice at camp and Frances at work, I only had time to read the letter before going to a barre class. Afterwards, sweaty and content, I climbed back into my car and sat parked on Prince St with the windows down, the cool morning air and sounds of street life gently pushing against me as I unfolded her poem.
You can read it in The Southern Review soon, if you're interested. It is very beautiful and like Diana's poem, took me right inside her experience: the water all around, the sun too bright, the shells on the beach.
I held that piece of white paper lightly in my fingers and a raucous brass band outside the Market nearby began to play. The joyful music fully cracked opened the pain of Christine's loss for me - her son's godfather died! - and it filled my whole body. Just for a moment, a gasp. Then I took a breath and nosed into the flow of traffic.
And all of these brushes over the past twenty-four hours with words and music that stretch towards what it is really like to live in the face of loss, mystery, and love have left me with a feeling of poignant tenderness that pulsates right at the surface, right where my skin and the air touch one another. The tenderness is for our particular stories, but even more than that I am moved by our human impulse to take pain and make it into something beautiful we can touch and give one another.
A song, a poem, a porcelain teacup, a photograph, a dance. Art can contain a crushing avalanche of hurt and transform it into glistening veined pebbles, the kind you can't bare to leave on the beach but take home and save in a glass jar instead. It can take the brute absurdity and outrage of death and transform it into an exquisite shape we can hold in our hands.
I love that. I love being a person and living in this world with other gorgeous maddening yearning people who make exquisite things out of what we are given.
After we sang our song last night, Frances asked me if I wanted to write other songs (that is, after she trains me up so that I can actually sing the songs I write, which she insists is possible).
I think they'll all be sad, I said. I can't really imagine writing any other kind of song.
That's okay, she said. Me neither.
(The Frank O'Hara poem up top was on the wall of an exhibit at MOMA,where Frances and I visited last week for her 16th birthday).



